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F Bass B-STOCK BN5 Flat Top Two-Tone Burnt Gold Fade

$ 4,474.54 $ 3,579.64excl. VAT

OUCH for the first time in Bass Buddha 3 years of existence we have made a bass into B-Stock. A ladder apparently thought it was a good idea to hit this absolutely stunner and leave a couple of marks as you can see on the pictures below. The bass is new from F-bass and there only is the marks everything else is tip top as you would expect from F Bass . We have taken 20% of the price!!!

F Bass BN5 Flat Top Two-Tone Burnt Gold Fade

F-bass is a Canadian brand that was founded by George Furlanetto in 1978.

Over the years, these basses have been molded into a perfect combination of classic sound and modern comfort. George continues to improve his basses through deep research and sparring with some of the best bass players in the world. The BN5 Matte Black Face with Natural / Black Grain is one beautiful piece of subsonic art that’s built on a roasted ash body, a Gabon Ebony fingerboard and a 3-piece maple neck.

This F Bass BN5  sounds very round and warm, but at the same time very modern. Meaning you get ample amounts of full-bodied low-end tones mixed with a snappy and refined attack.

With the volume/volume, tone and the three-band all boost EQ you have a ton of possibilities for sculpting your sound meticulously to fit your needs.

One thing I really love about this bass is the sound of the neck pickup, which just has that stunning raw power of a P bass.

The pictures below is before the damage



Body Wood
Roasted Ash
Two-Tone Burnt Gold Fade
Body Finish
High Gloss


Neck Wood
3 PC Quater-Sawn Maple
Mac Ebony
Neck Finish
Fingerboard Radius
10" - 16"
Fret Size
The frets are Nickel and are wide, medium height, with a flattened pyramid shape. Nickel preferred over steel as it has a slightly sweeter tone and the medium profile ensures you’re hearing more of the fingerboard while also not pushing the note out of tune…like some taller fretwire.
45mm (1 3/4")
Width at the last fret
76mm (3")
Neck Construction
3 Pc Quater-Sawn Maple
Neck Carve
Modern shape….slightly thin to medium with an asymmetrical carve where the treble side carve is a little more aggressive from the centre of the neck to the fingerboard edge. This makes for a faster feel while still keeping thick enough for comfort to avoid premature hand cramping
Truss Rod
Two-way truss rod with a 4mm wrench
Scale Lenght


F Bass Preamp
Two F Bass stacked, single coil/hum-cancelling, magnetic pickups
First Row: Neck Volume, Bridge Volume, Master Tone (push for active, pull for passive) Second Row: Bass Boost, Mid Boost, Treble Boost


Black Hipshot B Style
Bridge Spacing
19mm (3/4")
Tuning Machines
Black Gotoh tuners with 20:1 ratio
Control knobs
Handmade Ebony


Heavily padded F Bass gig bag

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