Dingwall Jacob Umansky Sol Signature

Dingwall Jacob Umansky SOL Signature Bass

There is a lot of things that make Dingwall stand out compared to other bass companies. Their unique looks, lightweight build and super-fast neck are some of them, but their most unique quality is definitely their dedication to fanned frets.

Why do I need fanned frets you might ask?

Well, if you have played a 5 or 6 string bass you have probably noticed that the low B sounds more dull than the E string, and the high C will sound brighter and thinner than the G.

This is because they use the same scale length across the entire fretboard, when in reality, the B-string needs a longer scale length and the C-string should have a shorter scale length to sound its best. Dingwall’s fret design combats exactly this pitfall by varying the scale length across the fretboard, so every note will jump out at you with punch, warmth and a ton of clarity.

As a 5 string bass player myself, it’s a revolution for me, to be able to move freely around the fretboard and get a crisp, clear and defined note every single time.

The look and feel of the fanned frets only take a couple of hours to get used to. So, there is nothing to be afraid of here. Only massive tonal and creative gains to be made!

The bass sports an alder body, maple neck and maple fretboard, which combined with Dingwall’s own neodymium pickups creates a powerhouse of a bass which leaves every sonic detail intact.

Based on mighty riffs from guitarist Aaron Marshall and the bass guitar manoeuvres of Jacob Umansky, Canadian progressive metal band Intervals remain among the hardest-hitting around. Designed as a mass-appeal version of Jacob Umansky’s Custom Shop Z, the ‘Sol’ Signature model retains a host of premium Dingwall features. It’s not just for shredders either, with a pickup configuration that makes it far more versatile than you might think. Available as a part of the Ready To Play line in both 5- and 6-string models.

The alder body has a bookmatched ash top and takes its lead from Umansky’s existing Custom Shop Z3, albeit with a modified body outline that’s been specially shaped to his own specification. The control knobs have also been repositioned, making fast-paced slap techniques that bit easier to deliver. Oh, and the matte white/black ceruse finish is incredible.

The bolt-on neck is hard rock maple, intended to be more robust for Jacob’s rapid-fire technique. It’s reinforced with carbon fibre, which helps keep any unwanted neck movement to a minimum. The multi-scale wenge fingerboard also keeps the bottom end tight, the top end clear, plus it helps with intonation and comfort.

With a Darkglass Electronics Tone Capsule wired to three Dingwall FDV pickups, the Jacob Umansky Signature can perform heavy rock of all eras. The switching is all very state-of-the-art, with a push/pull active passive switch, a 4-position rotary pickup selector, a 3-band active EQ and enough firepower to add serious weight to any bass riff.

Given that Interval’s increasingly progressive sound makes all sorts of demands on Umansky’s bass gear, his Dingwall signature model is, essentially, a masterclass in everything that is good about cutting-edge bass design. Plus it was mapped-out alongside the man himself, so you’ve got that seal of approval.

With a Darkglass Tone Capsule wired to three Dingwall FDV pickups, the ‘Sol’ Signature can perform heavy rock of all eras. The switching is all state-of-the-art as well, with a push/pull active passive switch, a 4-position rotary pickup selector, a 3-band active EQ and enough firepower to add serious weight to any bass riff.

Thanks to the Graphtech nut and lightweight open-gear Hipshot tuners, you’re guaranteed maximum resonance at lower tunings and dependable stability courtesy of the Dingwall minimalist bridge, which is ideal for aspiring bassists who don’t yet want to worry about spending time adjusting their intonation. Extra touches include a recessed jack socket and the easily removed magnetic plate covering the battery cavity.